x2Final Draft, Inc. Final DraftFFFF000000060002000177AA000000000073000000002000110000001-7FFF67000480048-24F2EEB200DB-1050503E876D2EEB2D1FFFF0106051F7000010000011C0000000401027408404FD9893284101B03CC00288712189316E010271F6F40840893D9139F284F2D03CC0061393D9139F18F01F6F2EB440840139FD91BE3289F3A03CC0081BD7D91BE311F02EB452164084011BE3D92EEB2892343038E00E2EC7D92EEB1B2000020000102E000000001027,Prohibition 2.0 EXT. AN EMPTY HIGHWAY - DUSK The year is 2034. An empty highway stretches along the edge of a forest, as far as the eye can see in either direction. An old, beat-up RV drives slowly up a dirt road that leads out of the forest, connecting to the highway. The driver, GILBERT TRAVIS, a man in his mid-forties, slows the RV to a stop at the intersection. The brakes squeal in protest. INT. RV Travis pulls a handkerchief out of his shirt pocket and wipes his forehead with it. He looks anxiously down the road in both directions. He cocks his head, as if he is trying to listen to something. A noise is coming from the back of the vehicle. He turns to look behind him, his gaze falling on several boxes of bottles. They are the source of the noise. He looks down at his watch. He looks at the clock on the dashboard. He looks at the time on his cell phone. They all say 7:38. He takes a deep breath and lets it out as a huge sigh. He bows his head and his lips begin to move slightly. He raises his head back up while doing the sign of the cross. He looks up and down the road again. After some hesitation, he pulls out onto the road and drives out of sight. EXT. CITY STREET - DAY The sidewalks are bustling with people, who are weaving amongst each other. They are each minding their own business, seemingly unaware that they are completely surrounded by people. As the crowd traverses along, the people repeatedly look up at a large clock on a building that towers above them, which bears the name Crofts Incorporated. The time on the clock is 8:49. Suddenly, the throng of people, one by one, begins to yell and shout and wave their fists angrily. They all turn to look in one direction, their displeasure continuing to grow louder. A black SUV comes down the street and into view from the direction that the crowd has turned. The side of the SUV is emblazoned with the emblem of the governments Illegal Alcohol Hunters, known as the IAH. Standing up through the sunroof is DAVID PATTERSON, the middle-aged Director of the IAH. Using a megaphone, he addresses the now irate crowd. PATTERSON Good morning everyone, from your friendly IAH director, David Patterson, and dont forget that the fifth anniversary of Prohibition is coming up! Many festivities are planned, including the always popular IAH alcohol searches. These searches allow you, the good people, to meet the agents of the IAH as they come into your homes to look for alcohol! So, get ready for good times, folks! Also, dont forget to report anyone who is producing or using the evil liquid! Good day to everyone! The SUVs occupant continues down the street on his solo parade of self-righteousness, repeating his well-rehearsed speech. The people slowly begin to go back to milling around each other, returning to their self-absorption. They are once more oblivious to the mass of people they are practically engulfed by. INT. EXECUTIVE OFFICE - DAY High above the crowd, LEONARD CROFTS, a harsh-looking man of fifty-two, looks with disdain down at the people, who have no idea they are being watched. Without turning from the window, he addresses the only other person in the room, his right-hand goon, BRUCE GREENWOOD, a rather lanky man in his early-thirties. CROFTS Peasants. That is what they are Bruce. The worst part is that they dont even know it. He notices the crowd turning and he shifts his head to see why. CROFTS(CONTD) Oh joy, here comes our Mr. Patterson down the street. He thinks the people love him as much as he loves himself, as if that were even possible. Speaking of our friend in the IAH, how is the acquisition of their cooperation going? GREENWOOD Sir, almost all of the agents now work for you. They will assist in deliveries and will cover up all evidence of your involvement in the alcohol trade. However, we have come across a stumbling block. One of the few who remain true to the IAH is the Assistant Director, Brian Ramsey. He has a handful of agents that are rather loyal to him. On another note, with the aid of your new IAH mercenaries, many more of the small-time producers have been found and, uh, terminated. 000200000F4E00001027F48,CROFTS This Ramsey will have to be dealt with. Once he is taken care of, the other reluctant agents will join, if they know what is good for them. Get on it. GREENWOOD Yes sir, Mr. Crofts. As Greenwood leaves the room, the clock on the outside of the building chimes loudly nine times. INT. IAH SITUATION ROOM BRIAN RAMSEY, a well-built man in his mid-twenties, stands at a table. Also at the table are SEVEN OTHER AGENTS, including his best friend SHANE TILLROY. They all are similar to Brian in age and body-type. They are looking at several pictures of all the other IAH agents. BRIAN All right guys, this is it. Were all that remains of what the IAH was founded for. All the other agents, including Director Patterson, have been bought out by Crofts. We have to expose them so we can rebuild. The rest of the agents will be here after Patterson is done with his parade... He turns to look at a large digital clock on the wall, which shows the time as 8:26 am. He turns back to the table. BRIAN(CONTD) ...which will be over in about 45 minutes. SHANE Whatever we do, it needs to be done quickly, because with public desperation growing like it is, I dont think were far from complete civil distress. BRIAN I have a friend that might be able to help us out. Hes good at getting, um, information about all kinds of things, and could most likely get his hands on some alcohol. We could get Patterson and his men to meet with him as a prospective supplier. SHANE If we can go and set up surveillance before hand, then we should have all the evidence wed need to get them out of the IAH and behind bars. BRIAN Lets get to it then. They lean in and begin planning out the sting. INT. THE RAMSEY KITCHEN Brian is now at home having dinner with his wife, Mary-Ann, who is also in her mid-twenties. She can tell that he is troubled. MARY-ANN Did you have a rough day at work, Bri? BRIAN Not really. We came up with a plan to expose Patterson. Gilbert Travis is going to help. MARY-ANN I havent seen him in so long! So, why the long face? I thought youd been waiting over two years to bring them down. BRIAN I have been. I am happy about it. Its just...do you know what day it is? MARY-ANN Of course I know what day it is, honey. BRIAN Charlie wouldve turned 17 today...if... MARY-ANN I know. Dont think about it like that. Remember what they said in support group. BRIAN Sweetheart, the only good thing that came out of going to that support group was meeting you. MARY-ANN Bri, you have to let go of these feelings. BRIAN I cant just forget that some selfish drunk driver killed my parents and brother! MARY-ANN I didnt say forget. I said let go. Theyre controlling your life. I lost my family too. BRIAN I know. Im sorry. I just miss them. Youre all I have now. MARY-ANN Well, Im not going anywhere. Try to focus on the good times you had with them, not that they are gone. Well see them again someday. Brian takes her hands in his and holds them tight. The doorbell rings. He grabs his gun off the counter and goes to look through the peephole. He lets out a sigh and opens the door. SHANE Hey buddy! Hey Mary-Ann! Brian, we need to talk. BRIAN Whats up? SHANE Patterson has agreed to bring his agents to meet up with Travis. The catch is he wants to do it tomorrow. Can Travis do it that soon? BRIAN He said he can do it whenever we need him. Where does Patterson want to meet? SHANE At the old Store-A-Lot, outside of town. BRIAN Ill let Gilbert know. SHANE Okay. See you tomorrow. Ill let the guys know what we need to do to be ready. See ya Mary-Ann. BRIAN and MARY-ANN Bye Shane. Shane leaves the house. Brian turns and looks at Mary-Ann. BRIAN Tomorrow is going to be a very long day. EXT. A REMOTE, WORN DOWN STORAGE FACILITY - NIGHT The only light is coming from a dusty, flickering, street lamp. Patterson and his men are waiting, rather impatiently, for Gilbert Travis to show up. 000200000F4B00001F6FF45,Brian and the rest of the uncorrupted agents are also there, waiting somewhat overanxiously, for the time to spring the trap. Patterson looks at his watch. It says 9:02. PATTERSON He was supposed to be here at nine oclock. I do not like tardiness. BRIAN He will be here any second, sir. This guy is as good as his word. PATTERSON He better be as good as your word Ramsey, or - Patterson is cut off by the sound of a motor and the sight of headlights coming up the road. A beat up RV pulls into the storage facility and slows to a stop, its brakes protesting. The engine cuts off and Travis steps out with a box of bottles. Patterson takes a bottle and looks it over, opens it and smells the clear liquid inside. He then gives it to his agents to drink. PATTERSON (CONTD) It seems to be of quite good quality, coming from a small-time producer such as yourself. TRAVIS I do what I can to provide for my family, sir. PATTERSON We can give you fifty dollars a box. TRAVIS Begging your pardon, sir, but I can get three times that most anywhere else. PATTERSON That may be true, but anywhere else can not offer you the protection we can. They also will not kill you and take over your production facility when you fail to cooperate. TRAVIS Understood, sir. When would you like to meet again? PATTERSON As soon as possible. Here is my number. As Patterson reaches into his pocket, Brian and his agents, who have been slowly surrounding the others, pull out their weapons. Spotlights suddenly turn the almost empty lot bright as day. BRIAN Hands in the air! All of you...NOW! Brians men run up and take the weapons from the now slightly inebriated, and fairly stunned, agents and begin cuffing them. PATTERSON I should have known, Ramsey. Do not even begin to think that this ends here. For if you do, you will find that you are sorely mistaken. BRIAN Yeah, yeah. Watch your head. Brian puts Patterson in one of the IAH riot control trucks, which have been brought out from among the aisles of the storage lot. Once all his men join him, the trucks head off to town. BRIAN (CONTD) Thanks, Gilbert. We could not have done it without you. Would you like a job? TRAVIS Sounds like a good time. Where do I sign up? They laugh and shake hands. They then go their separate ways. EXT. COURTHOUSE - DAY Several REPORTERS stand outside the courthouse, their voices combining to create a melee of indistinguishable words. COREY THIMBLE, a scrawny reporter in his twenties, jogs up the stairs, with his CAMERA MAN following. Corey begins reporting from his new location. COREY Corey Thimble here, folks, at the trial of David Patterson, the Director of the IAH, and most of the agents under his command. They have been accused of buying and selling alcohol. There are rumors circulating which point to the business tycoon Leonard Crofts as the benefactor of their transactions. However, Crofts himself has never been found guilty of any connections to the alcohol trade, so there is much speculation about the truth of this. Hold on folks. Corey puts a hand to his ear, trying to listen to something on his earphone. COREY(CONTD) Okay folks, I have just received word that the jury has found the defendants guilty, however, they are not being sentenced. This is odd, for there was audio and visual evidence of an attempted alcohol transaction. The judge, for reasons unknown to this reporter, has simply barred them from working for the IAH. All I can say is, wow. Found guilty of the very crime they were supposed to be stopping, and they just get pink slips. I have also received word that Brian Ramsey, the Assistant Director of the IAH, has been appointed to be the new Director. Let us hope he does a better job. Thimble out. Moments later, the courthouse doors open and Patterson and his men come out, all with smiles on their faces. Several limos await them at the bottom of the stairs, and they pile into them. 00020000236900002EB42362,Just outside the open doors, Brian leans against the wall, arms crossed, watching the limos drive away. INT. IAH SITUATION ROOM Brian and his seven agents stand at the table again, joined by TWENTY NEW AGENTS, Gilbert Travis among them. BRIAN Guys, its been seven months. Why isnt Patterson in jail? Why isnt Crofts? SHANE Weve been working so much with the public that we havent had time to pursue them. BRIAN It doesnt matter what we do to help the public. As long as those two stay free men, the problems will never go away. SHANE Brian, we break up riots every day. Crime rates are so high, they cant even chart them anymore. Almost a hundred people become homeless daily. Do you know how overcrowded the jails are? There are over thirty deaths a day, per jail, Brian. Criminals and officers alike are being slain, because there is no room, and tempers ignite. Yet, for every thirty that die, fifty are put in. There are lots of places serving alcohol, yet we dont ever have time to search for it. Then theres the people who cant afford the alcohol anymore. Hundreds of them have turned to drugs, which have become easier to supply and cheaper to buy. What are we supposed to do, ignore it all? BRIAN I know all that, Shane. Yes, the situation is bleak, but it cant get better until we bring down Crofts and Patterson. They have complete control over the alcohol trade, and that gives them too much power. As horrific as the public affairs have become, there is nothing more important than stopping them. We have no choi Brian is cut off by an explosion outside. Dust falls from the ceiling, covering the agents. When the ringing stops, they put on their riot gear and run outside. EXT. CITY STREETS - DAY Finally, all efforts to keep the peace have failed. There are hundreds of people running up and down the streets. Fire is spreading, windows are being broken, things are being stolen, and fists are flying. The bodies of the dead and dying litter the streets. Some are there because of the explosion, others having been trampled in the resulting stampede. The wails, moans, and screams of those still living fill the air, as they let their pain be known. The IAH agents thread themselves through the crowd, trying to bring order to the mob. The mass of people ignore the agents attempts at bringing peace, as they all seem to have one thought on their minds. They are all now headed down the street together, their pace deliberate. Having no other option, the agents follow the multitude of angry citizens. The agents stop in their tracks when they realize where the crowd is going. They look up at the towering building in front of them, which bears the name Crofts Incorporated. SHANE Well, Brian, it looks like you arent the only one who is upset about Crofts and Pattersons control of the alcohol trade. BRIAN If they even try to go in there, every one of them will be shot down. We have to stop them! Lets go men! Initiate Plan 517! GO, GO, GO! The agents fire their guns in the air, causing the mob to duck. They force themselves to the front of the group. The people look up to see twenty-seven automatic rifles pointed at them. Brian addresses them all. BRIAN (CONTD) Listen up! If any of you go in there, you will be killed by Crofts mercenaries. Let us handle it. This is what we do! Brian turns to his agents. BRIAN(cont.) (CONTD) Diego! Hansten! You two stay here and keep these people out. The rest of you, nows our chance. Lets get these two scumbags! The other twenty-six agents enter the building. Gunfire is heard immediately. Cries of pain join the volley of gunfire. INT. LOBBY OF CROFTS INC. The IAH agents are crouched behind anything they can find for cover, returning the fire that Crofts men are sending. Already there are several dead, both sides having sacrificed men. Soon, the only ones left standing are eighteen of the IAH agents. Three of the agents on the floor are injured, but still alive. BRIAN Phillips. Help Massey, Roberts, and Kilby get outside. Call medical aid for them. Everyone else, you know what to do. Fourteen of the agents head up the stairwells. The other three stay in the lobby to keep any reinforcements at bay. INT. STAIRWELL SEVENTY-FIFTH FLOOR The fourteen agents stand panting heavily, exhausted from the immense amount of stairs they just climbed. No other sounds can be heard. After they all catch their breath, Brian signals for them to follow him silently. INT. HALLWAY The stairwell door cracks open, and Brian peers through the small gap. Seeing no one, he slowly exits, and the other agents follow one by one. As they crouch-walk further down the hall, muffled voices can be heard. Brian signals again, this time for the others to wait. He goes forward alone and peeks through the window of the room the voices are coming from. He signals for Shane to come over. He points to the window and holds up two fingers, then puts one to his mouth. He slowly opens the door. He and Shane slink into the room. The sounds of two soft cracks come out the door, followed closely by two thuds. Brian and Shane come out of the room, shutting the door behind them. The group continues on until they come to the end of the hallway. In front of them is a large double door with a nameplate. This identifies the room as the offices of Crofts and Patterson. Brian gives a few more signals, and the rest of the men nod in understanding. He holds up three fingers. He folds down the first one. He folds down another one. He folds down the last one. INT. PATTERSONS OFFICE The men burst into the room. Bullets fly from the bodyguards, but the agents take them out quickly. Patterson is left alone. BRIAN Hello Patterson. How have you been? You were right. It wasnt over at the storage lot. However, your story ends now. Right here. With your arrest. This time you wont get off as easy as the last. Thats my personal guarantee to you. As Shane is cuffing Patterson, a gunshot is heard through the door on the opposite side of the room. Brian and a couple agents run over, and he kicks the door in. INT. CROFTS EXECUTIVE OFFICE In the back of the room sits the only occupant. It is the lifeless, but still bleeding body of Leonard Crofts. Brian gives the body a long, hard look. As he and the others exit the new tomb, the large clock outside chimes what is now a death toll. INT. COURTHOUSE CORRIDOR Brian is walking briskly down the hallway. He stops at a large dark door. He takes in a deep breath and lets it out in a huff. He opens the door and enters the room. INT. COMMITTEE MEETING ROOM Sitting around a large table are SEVERAL COUNCIL MEMBERS, all who are in charge of prohibition laws. They all look up at Brian. BRIAN Council-members, I am sorry to interrupt your meeting, but I have something important to say. COUNCILMAN #1 Well, Mr. Ramsey, as the Director of the IAH, I suppose you do have a right to speak here. What is on your mind? BRIAN Council, if I may be frank, you must put an end to prohibition. As you all well know, I have been one of your biggest supporters from the start. However, I have come to see that all the offences you thought would disappear have only multiplied. The IAH has been fighting the effects of it for years now, and in the last few months, it has intensified to a level that we can no longer handle. Even with the death of Crofts and the imprisonment of Patterson, the people are still filled with desperation. My plea is that you will end prohibition. Only then can we begin to rebuild the now crumbling foundation of civilization. It didnt work a hundred years ago, and it isnt working now. Thank you for your time. We of the IAH and those of the public await your decision. Brian turns and leaves the room. The council-members just look around at each other. SERIES OF SHOTS brians voice over About a year has passed since the repeal of prohibition. Things are starting to get back to normal, though the recovery process has in reality just begun. A large van with a PRT emblem on it drives down the street. BRIANS VOICE OVER (CONTD) The IAH has changed its name to the Prohibition Recovery Team, or PRT. We spend every day working towards getting things back to the way they were. People are seen entering rehab centers. BRIANS VOICE OVER (CONTD) Hundreds of people are in makeshift rehabilitation centers, fighting the addiction to drugs they succumbed to during the nearly six years of prohibition. Several people file into a factory with lunch-boxes in hand. BRIANS VOICE OVER (CONTD) Those that became homeless due to lack of jobs are working again, but have a long way to go as well. People pick up trash and clear rubble from the streets. BRIANs voice over (CONTD) There is still a lot of rubble and destruction, but a little more gets cleaned up everyday. Mourners are gathered at many freshly dug graves. BRIANS VOICE OVER (CONTD) Many people have loved ones to mourn, but they find some solace in the new beginnings. It will take time, but one thing keeps everyone going. Hope. 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