/2Final Draft, Inc. Final Draft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pdated 03-29-2008 INT. ADAMs HOUSE - video editing room - nIGHT[] ADAM, an intense-looking man in his late twenties, sits down in a chair, adjusts a slightly-askew framed photograph on the wall. The woman in the photo could easily be his mother. He makes a similar adjustment to the crucifix hanging next to the photo. Then he clears his throat, picks up a CELL PHONE and pushes buttons. After a moment: ADAM Uhm, yeah -- I would like a...uhm... girl for the evening. Adam pauses for a second. ADAM (CONT'D) Nah, I dont care about that. Just no drug addicts. Adam pauses again to listen to the person on the other end. ADAM (CONT'D) Okay. Uhm, Ill meet her at the bus stop at Sixth Avenue and Nineteenth. Yeah. When? Thanks. Adam turns off the phone, removes the battery, and drops the rest of the phone into a trash-can. He snaps the battery into another cell phone. He looks into the camera. ADAM (CONTD) You getting all of this? CHRISTOPHER (O.S.) Yeah. Keep going. Adam opens the cell phone and pushes buttons. ...VIDEO SNOW... INT. ADAMs HOUSE - LIVING ROOM - nIGHT[] Adam enters with JENNY, an attractive young woman dressed provocatively. She looks around for only a second before realizing she is being videotaped. JENNY Hey -- I didnt agree to a video. Or to doing two guys. ADAM Well make it worth your while. In fact, were going to give you the best gift of your life. JENNY Uh, what youre going to give me is three hundred dollars. ADAM Thats no problem. But, uhm -- not up here. Downstairs. 000200000F8E00000611F88,...VIDEO SNOW... Int. Adams house - basement - night[] Adam leads Jenny to a door. He unlocks it and ushers her in to a finished, furnished underground room -- where she finds herself facing SEVERAL WOMEN WITH STURDY LEATHER COLLARS AROUND THEIR NECKS. She turns back just in time to see the door closing behind her. She looks around wildly -- taking special notice of the WEBCAMS peering down from all sides. JENNY Hey! What kind of fucked-up shit is this? cLAIRE Youll find out, girl. ...VIDEO SNOW... On VIDEO: JENNY[] JENNY, freshly arrived and still dressed as befits a call girl, is led to a chair and gently made to sit. CHRISTOPHER What's your name? JENNY What's going on here? Why are you filming everything? CHRISTOPHER This is orientation. Step one. JENNY What are you talking about? CHRISTOPHER Youll find out. What's your name? Silence. Jenny looks around the room, noticing the security cameras. JENNY Jenny. CHRISTOPHER Do you know why you're here? JENNY I thought I was here to get your dick wet. I guess you got other plans. CHRISTOPHER Are you happy doing what you do? JENNY What do you think? It's good money. CHRISTOPHER How'd you get into that lifestyle? JENNY None of your goddamn business. Christopher picks up a bag and pulls out a uniform. He hands it to her. CHRISTOPHER Change out of those clothes. Get some sleep. Int. ADAMS HOUSE - BASEMENT - NIGHT - sECURITY CAM[] Adam gives an instructive talk to the girls. They sit obediently but look like they couldnt care less. ...VIDEO SNOW... oN VIDEO: ANGELA[] ANGELA, still dressed for the street, is slumped, unconscious, in her chair. Someone o.s. waves a bottle of smelling salts under her nose. She flinches, battles her way to consciousness. The instant she can see again -- ANGELA What the hell is this? CHRISTOPHER It's all right. You are in a safe environment. No one will try to hurt you. We are here because -- ANGELA Fuck why we here! Got me in here with a motherfucking collar round my neck. What the hell is this? Dog, I ain't no bitch. You need to get this shit off me NOW. CHRISTOPHER If you'll just try to calm down -- ANGELA Oh hell, no -- ...VIDEO SNOW... on video: claire[] CLAIRE sits in front of the camera dressed in her street-walking clothes, looking down. CHRISTOPHER So tell me about yourself. CLAIRE Like what? CHRISTOPHER Well, anything. Tell me about who you are. CLAIRE I don't know what to tell you. There's not that much to say. CHRISTOPHER Well, how did you get into this business? CLAIRE I don't know. Same way every other girl does, I guess. CHRISTOPHER Would you like to elaborate any? CLAIRE What are you going to do? CHRISTOPHER What? CLAIRE Why are we here. Are you going to kill us? CHRISTOPHER No, no! Nothing like that. We're just trying to help you. CLAIRE Okay. They sit for a moment both waiting for the other to say something. CHRISTOPHER So are you going to talk to me now? CLAIRE What do you want me to say? Int. ADAMS HOUSE - BASEMENT - NIGHT - sECURITY CAM[] The girls sleep on mats on the floor, a few blankets pulled over their bodies. Jenny rises, approaches the camera, wondering if its recording even in total darkness. She decides it must be. ...VIDEO SNOW... On video: angela[] Angela, age uncertain, is an imposing presence; she is good at what she does and she knows it. ANGELA We gotta do another one of these? CHRISTOPHER (o.S.) Yes, we do. Now, uh -- tell us why you sell your body to strangers. ANGELA Listen. Do you know how much power you have when a guy comes up to you and gives you a hundred -- two hundred -- just for the pleasure you can give him for a few minutes? ...VIDEO SNOW... on video: stephanie[] Stephanies looks are deceiving -- underneath the trappings of this handsome woman is a handsome young man. (INSERT SCENE AS RECORDED -- ends with That hurt.) Int. ADAMS HOUSE - VIDEO EDITING ROOM - nIGHT[] Adam pulls on a jacket. ADAM You need to record Stephanie and Claire while Im out. 0002000004F8000015994F2,CHRISTOPHER (O.S.) Where are you going? ADAM One more. Last one. Christopher approaches him, grabs his sleeve. CHRISTOPHER We agreed we had enough girls. ADAM I changed my mind. ...VIDEO SNOW... on video: stephanie[] Stephanie now has a few days of beard growth. CHRISTOPHER (O.S.) So you never thought it was wrong -- dressing up as a woman -- and offering yourself to men -- STEPHANIE Look -- you find out pretty fast there are men wholl pay good money for the experience of being with a girl whos got a little extra. I mean, what else am I supposed to do? I didnt ask for this life. CHRISTOPHER (O.S.) No. I guess you didnt. on video: claire[] Claire has clearly been a hostage for a while. She is wearing the uniform Adam and Christopher gave her. CLAIRE We did all this yesterday. chRISTOPHER (O.S.) One day youll be glad we recorded this whole process. CLAIRE I just don't know what to tell you. I'm not trying to be difficult; there's just not that much to say about me. CHRISTOPHER There has to be something. I mean, there has to be a reason you chose to become what you've become. CLAIRE I don't know what to say. I'm sorry. CHRISTOPHER But you know that you have other options, right? I mean the Lord- CLAIRE Stop. I'm sorry, but just stop. 00020000098C00001A8B986,CHRISTOPHER What? CLAIRE I'm sorry I just don't buy into this whole "Jesus loves me" bull shit. Sometimes shit just happens. Some people are lucky and some people just aren't. That's all there is to it. CHRISTOPHER You mean you don't believe in the Lord at all? CLAIRE Hell, no. CHRISTOPHER Well I think that's your problem right there! If you could just accept Jesus, you'd realize that you can do anything you want to do. For all things are possible through him. CLAIRE Stop. Look, you can believe whatever you want. But some people just can't. Sometimes bad shit happens and you can either sit in the corner and cry about it your whole life or just accept that that's how people are and do whatever you have to do to make it work for you. Guys treat girls like shit. It's what they do. Do you know how many of my clients are married? How many have "found Jesus?" Damn near all of them. I guess I could be on the other side. I guess I could just go along with it and be used and treated like shit. Find a nice guy who will treat me exactly like they do now, but it'd be okay because he's my boyfriend, right? He loves me, so it's all okay. Then he can go out and fuck some other girl on the street and she can get paid for it. Or I can be the other woman. I can just say fuck it, why settle with the shit end of the stick? If you're gonna be used regardless then why not at least get something out of it? IF they'll just do whatever the fuck they want to you anyway, why not at least have some fucking control over it? Huh? Does the Bible answer that one for you? You know what? You need to drop the "holier than thou" bull shit. You're no better than the rest of them. Look around! You've got five girls locked in your fucking basement you sick fuck! How dare you act like you're better than me, than any of us. Fuck you. I'm done. ...VIDEO SNOW... Int. ADAMS HOUSE - BASEMENT - day[] Adam brings in ROSANNA, clearly another streetwalker. She struggles with Adam as he fits her with a collar. ROSANNA What the fuck -- get that off me -- Rosanna manages to twist around and give Adams hand a savage bite. But as she makes a break for the door, Adam pulls a device from his pockets and presses a button on it. ROSANNA STAGGERS BACK, CLUTCHING THE COLLAR, and collapses. STEPHANIE Tried to tell her. ANGELA You sick, twisted son of a bitch -- calling this a holy mission! Instead of tasing Angela, Adam kneels down beside her. 00020000070900002411703,ADAM Angela. Let me tell you a little story. Its an important story. When I was ten years old I had a little puppy. I named him Pup-pup. My father made me keep him locked in his pen at night so he wouldnt get out and get lost cause he was just a little puppy. Well, one night he kept barking and whimpering like he wanted so bad to get out of that pen. So I snuck out my window and let him out. Then I went back to bed, so happy because Id done a good deed. Well. Next morning I woke up and Pup-pup was in the street in front of our house. Dead. Run over by a car. He wasnt ready for the freedom yet, my father knew that, but I couldnt understand it at the time, cause I was just a kid. Angela Yeah, well, I aint a dog. ADAM And I aint a ten-year-old kid. Adam leaves. The other girls curse him under her breath -- but Jenny continues to stare after him... ...VIDEO SNOW... INT. ADAMs HOUSE - basement - day[] Rosanna slumps into the chair, defeated, glowering. rosannA I dont want to be doing what I do. I hate it. I hate everything about it. But I lost every other job I had. And ... I love my daughter. I will do anything for her. (getting no response) What is it? Whats wrong? CHRISTOPHER (O.S.) Nothing. ROSANNA Bullshit -- whats wrong? CHRISTOPHER (O.S.) Didnt know you had a daughter. ROSANNA Oh, that makes a difference? You kidnap women but you dont check to see if they got kids. Christopher steps around and removes the camera from its tripod. Rosanna grabs it. ROSAnNA (CONTD) Lets get you on record, dammit. The kidnapper with a heart of gold. CHRISTOPHER Give it back. She gives it back -- but weve already seen how troubled Christopher is by this latest development. ...ViDEO SNOW... INT. ADAMs HOUSE - basement - night - seCURITY CAM[] 00020000065300002B1464D,Jenny, Stephanie, Rosanna, Claire, and Angela are all sitting on their sleeping mats as Adam enters, carrying a tray. Claire nudges Angela -- do it now. Angela gets up and helps Adam with the tray. Adam Thanks. ANGELA Hey, no problem, Adam. Angela toys with Adams belt and whispers in his ear. ANGELA (CONTD) Were starting to get the idea, Adam. Were catching on to why you got us chained up down here. She plays with his hair. Claire joins the fray. AdAM Are you? CLAIRE Were professionals, Adam. Theres no pleasure you can imagine that we cant give you. They caress him and fondle him -- but Adam is no more responsive than a statue. ADAM I was hoping youd never try this. Im going to have to punish you. They all recoil when he produces the remote control. CLAIRE All right, then do it! We know you get off on it! Adam hesitates. He puts the remote away and exits. On video: jenny[] Jenny sits in the chair, now in more modest clothes and wearing the shock-collar. CHRISTOPHER So last time you told me that you do it for the money. Couldn't you have made an honest living? JENNY It's not an honest living? CHRISTOPHER There are plenty of women out there who take pride in their honest lifestyles. JENNY Look, I take pride in what I do. And I do it well. CHRISTOPHER How'd you get started? JENNY I was in the right place at the right time. CHRISTOPHER Explain. JENNY After high school, I had plenty of experience. So when a friend of mine offered me money -- hell, I realized I could have fun and make money at the same time. CHRISTOPHER There are more ways to have fun than to sell yourself. 0002000006E6000031616E0,JENNY You having fun doing what you're doing? CHRISTOPHER I'm not here to have fun. I'm here to help. JENNY How are you helping me? CHRISTOPHER Look at it this way, with the way men treat you, wouldn't you rather be here? Jenny stares at Christopher. Its a good question. INT. ADAMS HOUSE - VIDEO EDITING ROOM - DAY[] Adam is editing the video of Jenny, studiously avoiding the conversation Christopher is trying to have with him. ADAM See? You had her, right there. Shes started thinking about what you said. CHRISTOPHER And thats great, Adam, thats fine -- but we cant keep them like this forever! Theyre not animals! ADAM I know it seems cruel sometimes. But you can already see how much theyre improving -- what a blessing weve given them by rescuing them from -- CHRISTOPHER -- from living their own lives! Adam, they have families -- friends. Children. ADAM Dont you understand, if we arent strong for them -- He grabs Christophers shirt. Christopher wrenches the hand away, and this wrestling instantly escalates into an all-out fist-fight. But Adam quickly gains the upper hand -- and once he has Christopher down, he holds one of the shock-collars in Christophers face. ADAM (CONTD) If you cant be strong, then youll have to be controlled. ...VIDEO SNOW... Int. AdamS HOUSE - BASEMENT - night -security cam[] The girls sleep. Int. ADAMS HOUSE - VIDEO EDITING ROOM - night[] Christopher watches the girls sleep. He stops a tape and ejects it. He starts it running and on the monitor we see it is the tape of the girls sleeping. He switches the monitor views so the old tape is now playing as if it were live. He grabs the remote control to the shock collars and exits. INT. ADAMs HOUSE - basement - night - security cam[] 00020000071600003841710,Silently, stealthily, Christopher -- with an armload of discs and tapes -- rouses the girls, indicating the open exit door. Rosanna, Angela, and Stephanie hurry out. Claire pauses long enough to kiss Christopher on the cheek. She hurries out -- leaving Christopher and Jenny alone. CHRISTOPHER Go on! Go! JENNY What happens to you? CHRISTOPHER Ive got no choice. All I can do is take all this video to the police and tell them it was Adams idea and just ... just keep him from ever doing it again. JENNY Youll go to jail. CHRISTOPHER I guess so, yeah. But I can at least stop him from -- JENNY Give them to me. CHRISTOPHER Jenny -- JENNY Ill take them to the police. You make a run for it. A DOOR SLAMS upstairs. The two look up in fear. JENNY (CONTD) You gave me a way out -- let me give you one. He hands the tapes over. CHRISTOPHER Thank you. And they run out together. Ext. Street - night - outside security camera[] Christopher and Jenny hurry off into the shadows. Christopher takes a last look back -- then disappears. On video: jenny (SAME AS SCENE 13)[] JENNY You having fun doing what you're doing? CHRISTOPHER I'm not here to have fun. I'm here to help. JENNY How are you helping me? CHRISTOPHER Look at it this way, with the way men treat you, wouldn't you rather be here? ...VIDEO SNOW... Int. adamS HOUSE - VIDEO EDITING ROOM - day[] He is watching Jennys tape again. He hears a knock at the door. He reaches for a switch. Insert[] The switch is labeled FRONT DOOR. He flips it. Back to shot[] Adam looks at the video screen and smiles. Int. aDAMS HOUSE - LIVING ROOM - front door - dAY[] Seen on the security camera. Adam opens the door to admit Jenny. She carries the tapes Christopher gave her. Adam welcomes the prodigal home. He closes the door. ...VIDEO SNOW... 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